Philosophical mutterings
When I was a young girl I had a teacher who urged me to study economics. Despite having a high regard for this teacher, I couldn't, because, as I told him "I can't get past the fact that it's all made up. It's a gang of people persuading each other what things are worth and the world falling into line with their valuations."
I still believe that, which is why I sometimes find myself wondering what the hell I am doing playing SCA.
I should preface the following with the facts that I genuinely enjoy much of the SCA. I find the skills fascinating, I love and like many people that I would never have met outside the game, I find value in the ethos of supporting the weak and demanding justice from the strong, I am grateful for everything I have learned and understood, from handstitching to John Dowland, from Elizabethan politics to English war techniques of the 14th century.
But I keep hitting a philosophical wall.
Are we a society (and I mean a group of people bound by common purpose) or are we a club?
Either we are a society bound by common values based on chivalry and courtly grace and common directions based on historic research, or we're a club of nutters playing who has the best frock or fastest stick.
And I find that, to me, the difference is crucial.
The former gives you all the things I love in the SCA. It gives you Rowan and Mouse sitting down with a newbie and explaining how frocks go together. It gives you Elfinn and Muirghein passing snacks to the broken girl napping behind the table. It gives you Gabrielle and Marguerite miming how different pleats fall and then providing lists of where to use each. It gives you AEdward giving all his fighter auction opponents best of three bouts. It gives you Batholomew and Katherine housing strangers and friends with equal warmth. It gives you Cornelius standing with a hose on his friend's roof against an oncoming fire. It gives you Bethan turning a ragtag crew of singers into a crack team of harmonists. It gives you Sara standing feeding her perfectly dressed baby while behind her Rodrigo sits on a hand-wrought stool stirring pottage in one of Alex's cooking pots. It gives you Tycho who points out fighting tips to young men while chopping carrots with a knife he wrought himself. It gives you Anton and Katherine debating transliterations and translations of Plato in the wee small hours.
These things capture the imagination; they give impetus to working well at one's own crafts, from garb to politics. They give meaning to status; if a Duchess's interest or thanks is given weight by people like this, then being a Duchess has worth in itself. At the same time these people and their acts (and many others, too) provide goals: if I work hard, I wil be like them; if I act in a lesser way, I will disappoint them, so I should not.
In a society without gods or mystic wonders, this secular grace stands as a way of directing purpose and the encouragement of the gracious becomes a sign of favour. It is our most authentically medieval artefact; the support of the ranking and powerful having real import.
On the other hand, the club model leads to all the things I truly hate. This is is the model that rewards the sport and boy scout badge approach, whose proponents claim that it is supporting meritocracy, but who really construct a group that values our least democratic elements.
Here winning is the mark of the great tournament fighter. Noblesse comes with entitlement, not oblige. Rank commands respect, and does not see fit to earn it. Skills and resources are used as a mark of superiority, not seen as a resource to teach and share. Power becomes a way of ensuring personal success, rather than a duty to work for the whole.
I was reminded of all these things sharply over the last two months. At Festival I had a number of discussions with some fairly fabulous new young people. Regular questions included why some peers were good and others obnoxious; I could only prevaricate when it came to named culprits and suggest that there may be other issues in their lives. But as a general rule, it was determined by the SCA model they worked to, with those who saw their peerage as a well-deserved 'win' being generally ghastly, while those who saw it as a duty (while still being able to be happy about it, of course) being generally good.
Then at Crown I met up with two fighters who were there because they disagreed with everything about the current system. One of them still believed in the worth of his consort and was fighting for her. The other was fighting for himself. Both lost, but they reminded me of other SCA kings in other times who had looked to the throne as some kind of personal vindication. And I did not like the thought of that style Crown at the head of a Kingdom I helped build.
Because there is enough of that in the mundane world, where we have substituted a warped idea of merit for things of actual worth.
And the reason for all of this weighing on me? I am not at all sure that my way of thinking is the majority way.
And if it's not, then I should let people have their style of fun and go back to theatre, where I can now add costume to my list of credentials.
I still believe that, which is why I sometimes find myself wondering what the hell I am doing playing SCA.
I should preface the following with the facts that I genuinely enjoy much of the SCA. I find the skills fascinating, I love and like many people that I would never have met outside the game, I find value in the ethos of supporting the weak and demanding justice from the strong, I am grateful for everything I have learned and understood, from handstitching to John Dowland, from Elizabethan politics to English war techniques of the 14th century.
But I keep hitting a philosophical wall.
Are we a society (and I mean a group of people bound by common purpose) or are we a club?
Either we are a society bound by common values based on chivalry and courtly grace and common directions based on historic research, or we're a club of nutters playing who has the best frock or fastest stick.
And I find that, to me, the difference is crucial.
The former gives you all the things I love in the SCA. It gives you Rowan and Mouse sitting down with a newbie and explaining how frocks go together. It gives you Elfinn and Muirghein passing snacks to the broken girl napping behind the table. It gives you Gabrielle and Marguerite miming how different pleats fall and then providing lists of where to use each. It gives you AEdward giving all his fighter auction opponents best of three bouts. It gives you Batholomew and Katherine housing strangers and friends with equal warmth. It gives you Cornelius standing with a hose on his friend's roof against an oncoming fire. It gives you Bethan turning a ragtag crew of singers into a crack team of harmonists. It gives you Sara standing feeding her perfectly dressed baby while behind her Rodrigo sits on a hand-wrought stool stirring pottage in one of Alex's cooking pots. It gives you Tycho who points out fighting tips to young men while chopping carrots with a knife he wrought himself. It gives you Anton and Katherine debating transliterations and translations of Plato in the wee small hours.
These things capture the imagination; they give impetus to working well at one's own crafts, from garb to politics. They give meaning to status; if a Duchess's interest or thanks is given weight by people like this, then being a Duchess has worth in itself. At the same time these people and their acts (and many others, too) provide goals: if I work hard, I wil be like them; if I act in a lesser way, I will disappoint them, so I should not.
In a society without gods or mystic wonders, this secular grace stands as a way of directing purpose and the encouragement of the gracious becomes a sign of favour. It is our most authentically medieval artefact; the support of the ranking and powerful having real import.
On the other hand, the club model leads to all the things I truly hate. This is is the model that rewards the sport and boy scout badge approach, whose proponents claim that it is supporting meritocracy, but who really construct a group that values our least democratic elements.
Here winning is the mark of the great tournament fighter. Noblesse comes with entitlement, not oblige. Rank commands respect, and does not see fit to earn it. Skills and resources are used as a mark of superiority, not seen as a resource to teach and share. Power becomes a way of ensuring personal success, rather than a duty to work for the whole.
I was reminded of all these things sharply over the last two months. At Festival I had a number of discussions with some fairly fabulous new young people. Regular questions included why some peers were good and others obnoxious; I could only prevaricate when it came to named culprits and suggest that there may be other issues in their lives. But as a general rule, it was determined by the SCA model they worked to, with those who saw their peerage as a well-deserved 'win' being generally ghastly, while those who saw it as a duty (while still being able to be happy about it, of course) being generally good.
Then at Crown I met up with two fighters who were there because they disagreed with everything about the current system. One of them still believed in the worth of his consort and was fighting for her. The other was fighting for himself. Both lost, but they reminded me of other SCA kings in other times who had looked to the throne as some kind of personal vindication. And I did not like the thought of that style Crown at the head of a Kingdom I helped build.
Because there is enough of that in the mundane world, where we have substituted a warped idea of merit for things of actual worth.
And the reason for all of this weighing on me? I am not at all sure that my way of thinking is the majority way.
And if it's not, then I should let people have their style of fun and go back to theatre, where I can now add costume to my list of credentials.